|
Asimovs Science Fiction | 
enlarge
| Publisher: Penny Press Category: Magazine
List Price: $43.90 Buy New: $32.97 You Save: $10.93 (25%)
Avg. Customer Rating: 13 reviews Sales Rank: 489
Format: Magazine Subscription Type: Trade magazine Subscription Issues: 12 Subscription Length: 12 Months Issues Per Year: 12 First Issue Lead Time: 6-10 Weeks
Shipping: Eligible for Super Saver Shipping Availability: Usually ships in 1 to 3 months
|
| Similar Items:
|
| Editorial Reviews:
Product Description Features imaginative short stories, novelettes, and novellas. Also provides science fiction book reviews, editorials, and a monthly calendar of science fiction events.
|
| Customer Reviews: Read 8 more reviews...
Top of the Line November 7, 2001 50 out of 50 found this review helpful
Superlatives are hard to apply in a market as fractured as science fiction. Is "Hard" SF better than "Soft"? What about "Space Opera"? And what importance is placed on exacting scientific accuracy? Therefore, it's impossible to pin down a single magazine as the "best" in the field.However, for fans of character-driven and sociological science fiction, "Asimov's" must surely be the top of the line. Through the years it has enjoyed a number of skillful and discriminating editors, and has fostered the editorial careers of professionals who now edit other genre magazines. This title has been lavished with awards, including the Hugo and the Nebula, for both its content and its management. It has the longest unbroken publishing history of any SF magazine currently in print. And its subscription numbers have been traditionally the strongest in the genre market. That said, in the soft SF market of the last decade, the magazine has suffered. As advertising revenues have dropped off and subscriptions have flagged, the number of pages has gotten smaller through the years, and there are fewer stories as a result. The magazine has changed hands twice in recent years. And, without Asimov himself at the symbolic helm, there has been a slight drift in theme. In spite of all this, "Asimov's" is easily the best buy in SF mags today. With stories excellently chosen by Gardner Dozois that at least stick comfortably within the genre, entertaining and illuminating essays by enduring author Robert Silverberg, and informative, concise book reviews, this magazine covers the gamut of science fiction. Though SF has suffered in recent years, this magazine remains one of the strongest purchases available to fans and neophytes of the genre. Enjoy with all compliments, and remember, there's another one coming next month.
Some of the best science fiction shorts out there October 21, 2004 16 out of 16 found this review helpful
Regular readers of my reviews are probably getting sick of me mentioning Kage Baker, but I have to credit her for getting me to try a lot of things that I wouldn't normally try if she hadn't been a part of them. Asimov's Science Fiction magazine is another time where this is the case. While I have bought Fantasy & Science Fiction magazine every month for a while now, I would also check Asimov's to see if it had a Baker story. If it did, I would buy it. What I have found, however, is that I have enjoyed most of the other stories in the issues I have bought as well. Thus, from now on I will be buying it every month too.
Much like Fantasy & Science Fiction, Asimov's contains mostly science fiction stories of various lengths (short story, novelette, novella) along with a couple of columns and some cartoons. The difference between the two is that Asimov's contains no fantasy (though some of Mike Resnick's stories have a fantasy feel to them). However, the magazine likes to concentrate on character-based science fiction, so you won't see a lot of "technology first, character second" stories in the magazine. Personally, I think that's a good thing as hard science fiction turns me off. If you're more into the hard sciences, you may find stuff in here to interest you, but there's a good chance that you won't.
Occasionally, there will be guest editorials (they printed George R.R. Martin's Guest of Honor speech from Worldcon in the October/November issue). There's always an "On Books" column, sometimes written by Paul Di Filippo, sometimes by Peter Heck. The authors use this column to recommend books that you may not have come across. Robert Silverberg opens each issue with a "Reflections" column that can cover everything from space exploration to ideas on story-writing. James Patrick Kelly occasionally is featured with an "On the Net" column, examining various science fiction web sites and other online activities. Unlike Fantasy & Science Fiction, there is often some poetry included as well. Finally, there is a calendar of upcoming conventions that covers the world so you can always find someplace to go if you need to get together with a group of fans.
The bread and butter of the magazine, though, are the stories. Each story has an introduction from the editor (currently Gardner Dozois, though that will change to Sheila Williams with the January issue), which may explain the genesis of the story, or just tell us how long it's been since that author has appeared in Asimov's. One of the things about Asimov's that is different is that it often serializes stories that will eventually appear in book form. Allen M. Steele's Coyote series has been serialized over the last couple of years with all of them being collected in two books (Coyote from a couple of years ago, and the upcoming Coyote Rising). Also, Charles Stross' Accelerando has been featured in recent issues. The one drawback to this is for readers who only pick up the occasional issue. For instance, "Survivor" in the October/November issue didn't really mean a lot because I've missed everything that came before it. It does reward regular readers, though.
Asimov's has many writers who write almost exclusively for that magazine, or at the very least the authors submit their stories to this magazine for first refusal. My favourite, Kage Baker, only seems to appear here, with only one story that I know of appearing in Realms of Fantasy. Allen M. Steele is another. Robert Reed seems to be featured everywhere (I swear that guy is churning them out like he's a machine) but he is featured a lot in Asimov's.
The magazine is bound just like Fantasy & Science Fiction, however the cover is thin paper rather than thicker stock, so it will tear a bit easier. This does have the advantage that you can sometimes leave it lying open for reading (though this only works if you're toward the middle of it). It also means it can be rolled up if necessary.
The only other fault I have with it, and this is strictly a personal thing, is that the stories don't always grab me as much as they do in Fantasy & Science Fiction. This is mainly because I'm more into fantasy than science fiction, so this certainly wouldn't be the case for everyone. While the hit and miss ratio varies from issue to issue, I can say that I have never skipped a story in the magazine. Again, that's a benefit of short fiction. You're not going to waste a lot of time on them.
If I had to choose between the two magazines, I would definitely choose Fantasy & Science Fiction. However, Asimov's is certainly good enough that it's easy to make room for both of them. Plus, by picking them both up, I feel like I'm doing my part in keeping short fiction alive. It's only a small part, but every little bit helps.
David Roy
The best SF is published right here December 1, 2003 12 out of 13 found this review helpful
This is the magazine for the best stories on the market today. A typical Hugo or Nebula awards list usually has several items from Asimov's (although not this year, they're all from sister publication Analog!) Asimov's tends toward "softer" SF than Analog and some stories are more literary or experimental. But I say this in praise, as most of these stories are well worth the effort. Some really do take you to alien places or senses with their language and structure as well as plot (I'm thinking of some of Charles Stross' new entries).Asimov's is less predictable than Analog as well; other than editor Robert Silverberg's editorial, there are few recurring features, and serialzed novels are rare. So you may get two short stories or five, the rest made up of novella and novellettes. But they will always be well-done, and you'll find yourself looking for those authors' long works after enjoying them in Asimov's. One change in publication not mentioned here: both magazines have gone to 10 issues a year from 11, with 2 "double issues" instead of one per year. The double issue is always a treat but then one must wait 2 months for the next regular issue!
The best there is November 5, 2001 8 out of 8 found this review helpful
Asimov's Science Fiction is currently the best SF magazine out there. You just need to look at the authors that appear there, or if the names mean nothing to you, find out how many of the nominees for the Hugos and Nebulas in the last few years were originally published here. Gardner Dozois, the editor keeps getting the award for best editor year after year. Or, if awards don't convince you, just grab an issue for the best short fiction. You can sample the stories (...) Enjoy!
Possibly the greatest SF magazine in existence. May 5, 2004 5 out of 5 found this review helpful
I would encourage everyone to subscribe, and help support the magazine. Asimov's Science Fiction (along with Fantasy & Science Fiction, and Analog Science Fiction & Fact) is truly the lifeblood of the science fiction genre. Short fiction has the unique advantage of being able to develop new worlds in a shorter amount of space than one might find in a novel, although in many cases a large portion of this world-building is left to the reader's imagination. Thus, good short fiction is able to convey a true sense of transaction between writer and reader, giving the impression that more has been said than has actually been specifically stated.Asimov's is no exception. It publishes some of the best fiction on the market today, by James Patrick Kelly, Michael Swanwick, Robert Silverberg, and Nancy Kress to name but a few. In addition, it still manages to introduce new writers to the field; indeed, it is one of the principle markets for finding and developing vital new talent for the continued success of science fiction as a whole. I believe it to be one of the most important publications in SF today. So, please, subscribe. You don't know what you're missing.
|
|
|
| Powered by Search-Save.com
| |